February 18, 2013
If You Don’t Watch Enlightnened, You’re Destroying The Planet

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Dennis: Now in its second season on HBO, this half hour sort-of comedy series isn’t getting the same press as the uber-buzzworthy (and excellent) ‘Girls’. Maybe it’s the general lack of naked young flesh that’s keeping this show in semi-obscurity, or, you know, the fact that it is almost impossible to describe in a way that will make anyone want to watch it, ever. I mean, I resisted Enlightened for a good long while before finally succumbing, and now it’s appointment viewing for me, so I’ll give it a shot. A vehicle for actress Laura Dern, the show follows her character who, as the show begins, is Amy, a hard-driving, even harder-partying junior executive at a typical corporate multi-whatever who, after a particularly public breakdown at work finds herself attending a holistic rehab facility. While there, Amy wholeheartedly adopts the spiritual awakening philosophy and returns to work, only to find that she’s being phased out of her old job and that, shockingly, her newfound social/environmental/all other ways consciousness doesn’t jibe with the corporate philosophy. Shunted down to the literal and figurative basement of the company, she finds herself little more than a data entry drone, surrounded with the rest of the company’s misfits; the company can’t really fire an employee who’s undergone the recommended treatment, but they sure can bury her in drudgery and humiliation and hope she’ll quit on her own.

The thing is- this new Amy is filed with the righteousness that only the truly self-righteous can know and she takes it upon herself to bring her newfound, well, enlightenment to the corporate world- and then probably the world, especially when she accidentally discovers that the company may be up to more than the typical corporate malfeasances that go hand in hand with good ol’ capitalism.

There- now you can see that I’ve spent a lot of words trying to convince you to watch this show and that I have failed completely. It sounds like a drag, frankly: maybe it’ll be a bummer of a self-satisfied liberal polemic, or a nasty-headed cringe comedy mocking new agey types. I thought it was going to be one of those, but what I didn’t count on was Mike White, the sneaky genius whose written things like Chuck & Buck, School of Rock, Year of the Dog, and more, and under whose guidance (he writes every episode), ‘Enlightened’ has revealed itself as one of the most multi-layered, surprising, character-based series in a long time. The key to the show (as it was with White’s underrated Year of the Dog) is that it’s entirely possible to be absolutely right in your convictions and yet be absolutely insufferable in your actions. Dern’s Amy, like Molly Shannon’s awakened vegan animal rights activist in Dog, undergoes what to her is a meaningful spiritual awakening that completely takes over her life, and then loses all perspective on the fact that, just because you’ve had an epiphany, you can’t just assume that the rest of the world is going to do everything you say.

Now, that may sound a lot like the aforementioned “new age bashing” but Enlightened really isn’t that; sure Amy’s newfound obsessions are played for queasy, uncomfortable laughs more often than not, but you get the sense that White thinks her positions are essentially correct. It’s more a show about a fundamentally unhappy woman who exchanges one unhealthy obsession (her career) for another (fixing the entire world) without the leavening wisdom of perspective to prevent her from becoming, well, a monster. Because, in Dern’s hands, a monster is what Amy becomes, her toothy, wide eyed earnestness whooshing past the needs of others and sweeping the unwary along with her on her monomaniacal yet unformed crusade to save the word, largely by destroying the company she’d once lived for. It’s a stunning performance which (like Shannon’s in Dog), plays empathy ping-pong with the viewer as Amy is at once the humiliated underdog out for vindication and a single-minded zealot out to wreak revenge on those who she thinks have wronged her, no matter who her vendetta destroys. (And, as ever, the shocking openness of Dern’s face is absolutely captivating to watch- and terrifying.)

The balancing act White and Dern pull off here is fascinating, but that’s just the half of it. The show has a habit of pulling back from Amy’s story unexpectedly to throw an entire episode at one of the minor characters (that’s how she sees them, anyway) in Amy’s life, giving them an entire episode to show what a life in Amy’s fanatical orbit is like. Luke Wilson, who hasn’t been this good since The Royal Tenenbaums, gets one as Amy’s still-addicted ex-husband, and Diane Ladd (Dern’s real mom) gets one as Amy’s put-upon mother who takes Amy back into her quiet retirement (and formerly peaceful house). And Mike White himself, who heartbreakingly portrays Tyler, the ghostlike office mole and computer expert who finds himself unable to resist getting sucked into Amy’s quest. (Seriously, his season 2 episode had me in awe-struck tears throughout, when I wasn’t laughing.)

So there you go- ‘Enlightened’ is a weird, ambitious, unsettling, funny, heartbreaking, nigh-uncatagorizable series anchored by great writing and a daringly bananas lead performance. I’d watch it, if I were you…

February 14, 2013
Karaoke Night at Greendale, or, what it’s like to watch the new season of Community

                                         

Justin: It’s been a week since Community returned to the TV box. Some are calling it Zombie Community. Others are talking about the uncanny valley of Dan Harmon. At this point I don’t even know if Dennis has recovered.

I think even the most generous fan of Community would have to admit the season premiere had a strong karaoke quality to it that made it enjoyable but a little empty. And I say this as someone who likes Community and karaoke.

Let me be clear: The new Community is not bad. In fact I laughed a lot. As a fan, it’s hard not to get excited to see this group of actors get back into their old costumes and put on a show, even if it feels as forced as an extra special Jim Rash costume change. And oh, where there many. And jokes about them.

The karaoke metaphor feels right because the storyline in the premiere had all the markings of a Harmon-esque script, sprinkled with doses of emotional reflection tempered with zaniness. It looked and sounded like the real thing. There was plenty of meta-ness. It’s not just that our characters are aware that their time as students, and as a study group is coming to an end, it’s that the show, itself, is telling us the same thing in the form of an Abed illusion, a “sitcom” version of life at Greendale starring the study group (with a great Fred Willard cameo starring as Pierce Hawthorn).

The thing is, it hits all the familiar notes, a kind of melancholy glee that outsiders of any kind can identify with. Dealing with change can be really fucking hard, as fans, or as the raw nerd heart of a group of community college misfits. Abed is having a hard time dealing with change, but he may be the only one who knows it, even if he’s reaching a layer of self-Inception that even Tom Hardy would have trouble pulling him out of. 

But ultimately, the whole affair felt off by just a few degrees. The sitcom in a sitcom bit was good for laughs, but it felt so very on the nose. We’re commenting on the controversy surrounding our show, see?

But, it’s only the first episode down. And I can be a man of everlasting patience when it comes to TV shows. (Unless the TV show is The Killing. Sorry.) So I’ll give it a shot. And I’m hopeful that the idea of the gang transitioning could be used to greater effect throughout the season, a way of shifting our expectations for this final zombie/uncanny/karaoke season of Community.

But what about you? Have you come out of your bunker yet, Dennis?

Dennis: Bu…but, everything is still standing? I went into the bunker because the bombs were coming…weren’t they? WEREN’T THEY!??  Damn you!! Damn you all to hellllll!!!!!!

Thank you.

If one may unpack that metaphor, yes, I have emerged from my Harmon-less Community bunker and stand blinking unsteadily into the wavering light emanating from season four. On the one hand, definitely relieved that there wasn’t the soul-scarring spectacle of a giant, smelly season four premiere bomb to cope with, yet still feeling a little unsteady in the face of the uncertain future suggested for Greendale (and me) from a first episode that was…fine.

Fine.

In some ways, that word, rather than, say, “embarrassing,” “dreadful,” or “dear God in Heaven- save us Dan Harmon!!! We were so wrong!!!” is what I was afraid of most. I went into this new season with an open, if terrified, mind and came out thinking, well, several things:

1. The premiere was too ambitious. It seems silly to fault the new regime for shooting too high right out of the gate, but there was simply too much going on here. I get it- in fact, it was a very Hamon-esque attempt to fold in all the internal and external aspects of Community one episode in. It was very much like the “we’re gonna be more normal and accessible” musical number that started off season three, except that, when this was Harmon’s campus, all of those elements blended together (the meta and the text, the larfs and the heart, the character stuff and whatever potshots they were taking at Chevy) almost seamlessly. Here, I saw the seams; the Hunger Deans/Jeff wackiness stitched to the “Jeff is leaving the group early” plot, the Abed breakdown scotch-taped to the “Abed TV” gags, the Troy/Britta and Annie/Shirley stuff floating around all unattached to anything. There was a lot packed into this 23 minutes, and I applaud the effort, but it lacked the strong emotional throughline that Cap’n Harmon nearly always provided.

Am I being too hard on this first show? Am I just being a Harmon-ite in the face of reality? Or, more alarmingly, has the show and its particular blend of comedy simply gone stale and I’m simply heaping on the new showrunners/writers the bile that I would have ignored if Big Dan were still at the wheel?

It’s a thought, but I don’t think so. There was something just…off.

2. The show looks different, and I don’t approve. You noticed that, didn’t you? Too clean, too many close-ups, and (especially in the Britta/Troy montage at the wishing well) too much cutting. One way to ensure continuity would be to retain the show’s visual style. This was subtly jarring- and alienating.

3. I hated the Shirley/Annie popcorn gag. Actually, I liked the gag, up to the point where their makeshift mirrors actually started popping the popcorn in the car(?!) That was a Scrubs-style surreal gag right there, and as much as I liked Scrubs, Community is not Scrubs. This was ay, way too broad, and if it’s indicative of a creeping undercurrent of surrealist wackiness, not in some Abed-ian dream context but in the main reality of the show itself…well I hate it.

I’ll leave off here, except to say that, while I wasn’t completely destroyed by this episode, I have doubts about the direction the show is heading. But I’m hanging in ‘til the end- it is Community after all…

I love Community. It’d have to be a lot worse than this for me not to watch it.

February 7, 2013
Remedial Game Theory: Community is back! And at least one of us is very, very queasy.

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Dennis: Surprising no one who’s ever read Brannigan’s Law, or either of our various blogs, or gotten stuck talking to us at a party after a couple of High Lives, Justin and I love Community. Like, love. And as with all great loves, trying to convey that devotion in words is difficult. (Unless you’re talking about High Life - “Delicious and gets you drunk economically.” Boom.) But for a show like Community with more deceptively complex rewards, one is forced to resort to abstract metaphor. Here goes.

I’m worried that season 4 of Community is going to be another The Life Aquatic With Steve Zissou.

Let me explain.

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January 29, 2013
I am trying to break your heart: How do you rebound from a cancelled TV show?

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Justin: Fox has officially dumped Ben and Kate from its schedule.

This is what happens in TV. Shows live in state of near-death from the moment they are pitched up until the day syndication comes around. And even then, the fear is still real. But for TV fans like you and me, it’s just getting harder to deal with that.

Ben and Kate was a show that made sweet and slapstick work in a way that did not leave you nauseous after 30 minutes. It followed the grand sitcom tradition of “random shit happens, let’ee where this goes,” and was made better by great performances from a largely unknown cast.  

Ben and Kate is my new Bent, which was my new Traffic Light, which was my new Better Off Ted, which filled the hole left in my heart from Kath & Kim, and on and on all the way back to Arrested Development. You’re supposed to fall in love with shows, find the one that is right for you, and develop the kind of devotion that is sweet but borders on annoying. Why won’t you just stop talking about Terriers or Last Resort? Because you are, to quote the poet, Crazy in Love.

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July 14, 2012
“you gotta keep the devil/ way down in the hole…”

                                                      

Dennis: My eyes are watery like a pug dog’s.  I can’t keep a thought in my head, which is buzzing like a hive of sleepy bees.  When I try to express myself, my words emerge like I’ve swapped tongues with Yaphet Kotto. When I glance at the newly arrived green digital clock in the room, I see that I have been essentially immobile for six hours.

Yup, I just got cable.

I really should have seen this coming; I mean I haven’t had real cable tv since I was living in my parents’ house, getting schooled in the finer points of Cinemax’s treasure trove of Shannon Tweed erotic thrillers after they went to sleep.  Since then, it’s been over-the-air broadcast offerings (ask your grandparents), the bottomless well of free rentals (VHS- again, ask an elder, then DVD) from my endless time behind the counter(s) of several video stores (look for someone with white hair), and a few years with the basic-est of basic cable which provided little more than unstatic-y broadcast local stations and various home shopping networks.  And when I have found myself alone with the real deal (again at Mom and Dad’s- new house, much improved cable), I’ve invariably found myself afflicted with what I’ve termed the flipping disease.  It’s symptoms (including the aforementioned, of course), involve Mom finding me still awake when she gets up at five in the morning, red-eyed and finger-cramped, endlessly scrolling around and around the guide channel, ceaselessly questing for…what?  Something better.  Something to quiet my mind.  The perfect thing. Looking for television salvation and turning zombie white in the flickering light, stumbling out to the truck in the morning glare with nothing but half-watched mediocrity and too-remembered commercial jingles rolling around behind my eyeballs.

So of course I got cable for my house.

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May 19, 2012
Community’s Coming Back…but Dan Harmon’s Been Fired. Good One, Universe…

                                 

Dennis:  I was feeling good.  I really was.

After months of network waffling, poor ratings, inter-nerd nail-biting, and Eeyore-like doom-saying, the universe begrudgingly gave me (and everyone else, I guess) a present.  Community was renewed for a fourth season!  Yeah!   People aren’t as unforgivably stupid as I’d thought!  TV isn’t the soul-eroding wasteland we always imagined!  Life is good and there’s no such thing as cancer!

I mean, sure, the show only got renewed for a short season, and the whole “Chevy being a dick again” development was troubling, but, dammit, this was undeniably good news.  It made my day.  (And go shake your head condescendingly at someone else, judgmental commenter types- good TV makes me happy.)   My lovely wife and I even threw a Community-themed, all-day viewing party (yesterday!) to celebrate, alongside an apartment full of like-minded Greendale enthusiasts, complete with a giant, icy tub of beer, and Community-themed snacks, including my baby’s pride and joy- round puff pastries filled with brie called, wait for it, Annie’s boobs.  (Again, shut up out there.  We’re nerds, we understand that.)

And then there’s today.  Then there’s this.

Yup.  They fired Dan HarmonThe creator of Community.Just days after letting us know one of the best shows on TV is coming back.

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May 1, 2012
Yes the TV season is too long, and it deserves to burn in hell!

Justin: I’m gonna start this off with a broad generalization, but just go along with me: The TV season is too goddamn long. I’m sorry, I guess I should clarify that statement to “the network TV season is too goddamn long and it’s ridiculous it’s the standard by which we measure and judge all other entertainment television.”

Better.

Not too long ago I found myself reading an article in Deadline Hollywood (I know, it happens to all of us some times) taking note of the fact CBS is wrapping up the season for its series a little earlier than the norm. It’s notable if only for the fact that, GASP, May is another sweeps period! Here’s the part that caused a near-fatal eye roll: 

“You have a limited number of original episodes for the season, and they’re worth more in November, December, January, February or even March then they are in May when HUT levels are lower,” one observer said. Airing originals in earlier months of the season provides “more bang for your buck” and helps maximize the ratings for each original episode, the observer said.”

*Sigh* Guys, you’re doing it wrong. OK, I’ll admit I’m operating from an overly Polyanna-ish position here, but doesn’t it tell you something when both viewers and the people monitoring the viewers are suffering from TV season fatigue by the spring? Shouldn’t this be a cause to re-evaluate how TV is produced and audiences are measured? Yes, I know I’m arguing for common sense in an arena that seems to violently resist it, but let’s think about a few things for a second here:

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April 4, 2012
Oh, for the Love of Fuck, Chevy.

Dennis: A formerly-popular, if not exactly beloved, star has become, through decades of meandering mediocrity and outright embarrassing career choices, something of a laughing stock.  A punchline.  Both a joke and its own punchline. 

Then - redemption!  Snatched from obscurity and ridicule by a TV auteur with a dream…and a plum role catering to the former star’s particular, long-thought-dormant talents.  Thus plucked from a scrap heap of his own construction and plunked down in the midst of a stellar ensemble, the former star finds himself, unexpectedly, receiving some of the best reviews of his career.  In addition to the skills for which he’d been, once upon a time, justly praised, he begins receiving actual good press for working as part of a talented team to create one of the most acclaimed series of the year.  It’s a late-career miracle!  Who, after wandering in the entertainment wilderness for so long, would be anything but gracious, and grateful, for this unexpected opportunity and near-universal praise?

Who indeed?

Oh, for the love of fuck, Chevy…

In case you were just sailing blissfully along, your thoughts buoyed with the heartening (if slight) rise in Community’s ratings upon its return, your brain all aglow at the promise of the legendary “six season and a movie” you’ve been dreaming about and haven’t heard the news…

Chevy’s gone Chevy.

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April 2, 2012
"Besides, the male sitcom writer isn’t a fan of the current crop of female-centered comedies like Whitney and Two Broke Girls.
“Enough ladies. I get it. You have periods,” Aronsohn commented.
He applauded women like Whitney Cummings, Chelsea Handler and Tina Fey securing a voice to discuss formerly taboo subjects on TV.
“But we’re approaching peak vagina on television, the point of labia saturation,” he added."

- Lee Aronsohn, co-creator of “Two and a Half Men,” to The Hollywood Reporter


Sure, that’s the problem in TV right now. 

February 27, 2012
Try to be a little less shady Don. No? Oh, alright. 
- “Mad Men Season 5 poster revealed” [AMC]

Try to be a little less shady Don. No? Oh, alright. 

“Mad Men Season 5 poster revealed” [AMC]

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